INTERESTS / Creating & documenting
Creating & documenting
Streaming, snowboard practice, and the Stories where I tried to work out how to record more of my life.
The person behind the post.
In 2018, I was asking if people had liked my latest post. By April 2026, I was wondering how to record more of my life without missing it. I wanted to make videos about everything I was into. I just hadn’t figured out how to put it all together.
The dates below belong to the original entries. Some photographs and recollections reach further back.
My first stream.
The stream title was “My first stream.” I posted the link with an invitation: Get on this shit now before i go viral
I kept the photo on Snapchat and Instagram. Here it is with the invitation still on it.
About this photo
The Snapchat export saves the main photo and its text overlay as separate files with a matching identifier. Both were checked against the cropped Instagram copy used here. February 2, 2024 is the Snapchat filename day; the Instagram export timestamp is later that same date. Neither independently establishes capture time. “My first stream” is the visible stream title, not independent proof that it was my first-ever broadcast. The invitation is a joke about what might happen, not a claim that the stream became viral. The follower count on the screen is historical, not current audience information. The photograph is resized here without cropping; the original source files are preserved.
Thank you fellas.
I was posting my rail-practice videos, then making another version. This was my thank-you to the people watching.
The reel caption was simple: Thank you fellas 🫡
Watch the practice attempts. More on making something and trying again.
About this recording
This complete Snapchat copy runs about 44 seconds. Sampled frames match the Ahhloosh reel and Stories saved on both Instagram accounts. The reel’s export timestamp is December 19, 2025; the Snapchat container timestamp is later that day. Neither independently proves the capture time. The introduction is an edited summary of the recording, not a verbatim quotation. The caption excerpt omits its hashtags. Audience numbers mentioned in the historical film are Alex’s statements at the time, not independently verified analytics or a promise of results.
